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・ Carl B. Hamilton
・ Carl B. Jensen
・ Carl B. Koford
・ Carl Adolph Dahl
・ Carl Adolph Grevesmühl
・ Carl Adolph Rothe
・ Carl Aejemelaeus
・ Carl Aeschbacher
・ Carl Agar
・ Carl Agardh Westerlund
・ Carl Ahasver von Sinner
・ Carl Ahlberg
・ Carl Ahues
・ Carl Aikens, Jr.
・ Carl Airey
Carl Akeley
・ Carl Akhurst
・ Carl Alan Awards
・ Carl Alberg
・ Carl Albert
・ Carl Albert (musician)
・ Carl Albert Andersen
・ Carl Albert Center
・ Carl Albert Federal Building
・ Carl Albert Kemmler
・ Carl Albert State College
・ Carl Albert Unbehaun
・ Carl Albert von Lespilliez
・ Carl Alexander Clerck
・ Carl Alexander Gibson-Hill


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Carl Akeley : ウィキペディア英語版
Carl Akeley

Carl Ethan Akeley (May 19, 1864 – November 18, 1926) was a taxidermist, sculptor, biologist, conservationist, inventor, and nature photographer, noted for his contributions to American museums, most notably to the Field Museum of Natural History and the American Museum of Natural History. He is considered the father of modern taxidermy. He was the founder of the AMNH Exhibitions Lab, the interdisciplinary department that fuses scientific research with immersive design.
==Career==
He was born in Clarendon, New York, and grew up on a farm, attending school for only three years. He learned taxidermy from David Bruce in Brockport, New York, and then entered an apprenticeship in taxidermy at Ward's Natural Science Establishment in Rochester, New York. In 1886 Akeley moved on to the Milwaukee Public Museum (MPM) in Milwaukee, Wisconsin, where he created the world's first complete museum habitat diorama in 1890. Akeley remained in Milwaukee for eight years, refining "model" techniques used in taxidermy.〔https://archive.org/stream/inbrightestafric00akel#page/8/mode/2up〕 At the Milwaukee Public Museum, his early work consisted of animals found in Wisconsin prairies and woodlands. In addition, he also created historical reindeer and orangutan exhibits. While working at the Milwaukee Public Museum and later, at the Field Museum of Natural History in Chicago, he developed his innovative taxidermy techniques, notably the creation of lightweight, hollow, but sturdy mannequins on which to mount the animals' skins. He was also a prolific inventor, perfecting a "cement gun" to repair the crumbling facade of the Field Columbian Museum in Chicago (the old Palace of Fine Arts from the World's Columbian Exposition. He is today known as the inventor of shotcrete, or "gunite" as he termed it at the time.〔(Allentown Equipment, History of Gunite/Shotcrete ) (URL accessed March 25, 2006)〕 There is no evidence that Akeley ever used sprayable concrete in his taxidermy work, as is sometimes suggested. Akeley also invented a highly mobile motion picture camera for capturing wildlife, started a company to manufacture it, and patented it in 1915. The Akeley "pancake" camera (so-called because it was round) was soon adopted by the War Department for use in World War I, primarily for aerial use, and later by newsreel companies, and Hollywood studios, primarily for aerial footage and action scenes. F. Trubee Davison covered these and other Akeley inventions in a special issue of ''Natural History'' magazine
Akeley specialized in African mammals, particularly the gorilla and the elephant. As a taxidermist, he improved on techniques of fitting the skin over a carefully prepared and sculpted form of the animal's body, producing very lifelike specimens, with consideration of musculature, wrinkles, and veins. He also displayed the specimens in groups in a natural setting. Many animals that he preserved he had personally collected.
Carl Akeley also helped mount P.T. Barnum's Jumbo after he was killed in a rail road accident.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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